FIRST JOINT CONFERENCE
GEORGIA ASSOCIATION OF MUSIC THEORISTS
MUSIC THEORY SOUTHEAST
EMORY UNIVERSITY
DEPARTMENT OF MUSIC
ATLANTA, GEORGIA
MARCH 13-14, 1998
PROGRAM
Friday, March 13
6:00-7:00 Registration (Entrance to Performing Arts Studio)
- 7:00-8:30 Session I: Nineteenth-Century Music
- Chair, John C. Nelson, Georgia State University
- "Brahms the Autumnal: Cyclical and Progressive Structures and Meanings in Im Herbst, Op. 104, No. 5"
- Frank Samarotto, College-Conservatory of Music, University of Cincinnati
- Abstract
- "Motivic Development of the 'Third' Kind: A Look Into Franz Liszt's Ce qu'on entend sur la montagne"
- Linda Popovic, Vanderbilt University
- Abstract
- "Wolf's Mignon I: Dramatic Occasions for Analysis"
- Joelle Welling, University of Texas at Austin
- Abstract
8:30-9:00 BREAK
- 9:00-10:00 Session II: History of Theory Pedagogy
- Chair, Susan Tepping, Georgia State University
- "Will the Real Rameau Please Stand Up?: An Examination of Rameau's Pedagogy in the Work of Pietro Gianotti"
- Lauren Longo, Montclair State University
- Abstract
- "The Harmonic Circles of Andreas Werkmeister"
- Ellen Archambault, Florida State University
- Abstract
MTSE Program Archive
Saturday, March 12
8:30-9:00 Registration
- 9:00-10:00 Session III: Twentieth-Century Music
- Paul Wilson, Chair, University of Miami
- "Anti-Organicism in the Prologue of Debussy's Cello Sonata"
- Marianne Wheeldon, Florida State University
- Abstract
- "The Art of Paraphrase: Oscar Peterson's 1965 Rendition of Victor Young's Stella by Starlight"
- J. Kent Williams, University of North Carolina at Greensboro
- Abstract
10:00-10:30 BREAK
- 10:30-12:00: Session IV: Music after 1960
- Paul Wilson, Chair
- "Two Harmonielehren: Schoenberg and John Adams"
- Brandon Derfler, University of North Carolina at Chapel Hill
- Abstract
- "'The Music of Abstraction:' Influence, Artifact, and Process in Morton Feldman's Triadic Memories"
- Keith Kothman, University of Miami
- Abstract
- "The Polyphonic Network of a Single-line Fugue: A Kurthian Perspective on the Fugue a trois voix of Antal Dorati's Cinq Pieces pour le hautbois"
- Andrea Lea Zierger, Florida State University
- Abstract
12:15-12:45 BUSINESS MEETINGS OF THE SOCIETIES
12:45-1:45 LUNCH
2:00-3:00 Keynote Address
- "Some Practical Observations on Melodic and Harmonic Dictation"
- Robert Gauldin, Eastman School of Music, University of Rochester
MTSE Program Archive