19th
Annual Meeting
Friday,
March 5—Saturday, March 6, 2010
Winthrop
University
Rock
Hill, SC
Friday, March 5
8:30-9:30 Registration
9:30-11:00 Narrative and Intertextuality (Chair: Joe Kraus, Florida State
University)
ÒReading AdornoÕs Reading of the
Rachmaninoff Prelude in C# Minor:
Metaphors of Destruction, Gestures
of PowerÓ
Karen
Bottge, University of Kentucky
ÒItÕs a
Completely Different Song? Music, Text, and Intertextuality in Two Recent Paul
Simon SongsÓ
Anna Stephan-Robinson, New York University
ÒChromatic Parentheses: An
Exploration of their Structural and Narrative Implications in Select Songs from
Richard StraussÕs Brentano Lieder,
Op. 68Ó
Sarah
Sarver, Florida State University
11:00-11:15 Break
11:15-12:15 Form (Chair:
Rob Kelley, Lander University)
ÒDisrupted Form in Rebecca ClarkeÕs
Viola SonataÓ
Sarah
Gaskins, Florida State University
ÒBalance:
Harmonic Rhythm and the Articulation of Musical Form in Select Sonata-Form
Movements by Mozart and BrahmsÓ
Austin
Patty, Lee University
12:15-2:00 Lunch
2:00-4:00 Modal, Tonal, and
Post-Tonal Structures (Chair:
Jill Brasky, University of South Florida)
ÒThe Role
of Mode as a Structural Force in LassoÕs Si bona suscepimusÓ
Gregory Decker, Florida State
University
ÒChord-Bible Harmony in Frank
ZappaÕs Middle-Period Orchestral MusicÓ
Brett
Clement, Stephen F. Austin State University
ÒThe
Hidden Serial Structures of Luciano Berio: Analysis, Aesthetics, and PracticeÓ
Irna Priore, University of North Carolina at
Greensboro
ÒThe
Subsumed MediantÓ
Eric Wen, Mannes College of Music
4:00-4:15 Break
4:15-5:15 Opera (Chair: Gabe Fankhauser, Appalachian
State University)
ÒÔSomething
Human:Õ Dramatic Transformation in PucciniÕs TurandotÓ
Ya-Hui
Cheng, Fort Valley State University
ÒHearing
VerdiÕs Signs: Recurring Themes, Topics, and Time in Act V of Don CarlosÓ
Dave
Easley, Florida State University
Saturday,
March 6
8:00-8:30 Registration
8:30-9:30 Musical Time (Chair: Yayoi Everett, Emory
University)
ÒAugmented
Canons and Eternal Time in the Music of Steve ReichÓ
Sean
Atkinson, University of Texas, Arlington
ÒDuration
Segment Similarity in the Performance and Perception of Bart—kÕs Aksak MetersÓ
Mitch
Ohriner, Indiana University
9:30-9:45 Break
9:45-10:45 Elliott Carter (Chair: Cliff Callender, Florida
State University)
ÒElliott
Carter's Reading of Ungaretti Poems in Tempo
e TempiÓ
Alan
Theisen, Florida State University
ÒText,
Music, and Irony in Elliott CarterÕs Opera What Next?Ó
Guy Capuzzo, University
of North Carolina at Greensboro
10:45-11:00 Break
11:00-12:30 Pitch-Class Sets and Transformational Theory (Chair: Adam Ricci, University of
North Carolina at Greensboro)
ÒPitch-Class Multisets and the
Z-RelationÓ
Thomas
Robinson, University of Alabama
ÒAll Set?: Contexts for Atonal
Period Music AnalysisÓ
Danny
Jenkins, University of South Carolina
ÒAre There
Any Bad (or Good) Transformational Analyses?Ó
Michael Buchler, Florida State University
12:30-2:15 Lunch
2:15-3:00 Business Meeting
3:00-4:00 Keynote Address: Elaine Chew, University of Southern
California